2021 Belonging – The embodiment of landscape

2016 Three Forces of the Soul, Inspired by works of Hildegard von Bingen

2015 October – Noosa Regional Gallery – Notion of an Ordinary Yarn

2014 June – Cooroora Institute – Materials of Place


2020 Wild Flower Women III Gympie Regional

2018/2019 Tree Place Final Exhibition Noosa Regional

2018 Waterhouse National Art Prize, SA Museum

2018 Art Meets Science Exhibition, Brisbane CSIRO

2018 Wild Flower Wild Women II Caloundra Regional Queensland

2018 UDHR Quilt Project Kings ARI Gallery Melbourne

2017 Lost Arts, and Found, Wandinin Eumundi Queensland

2017 Wild Flower Women Symposium

2014 Lovingly Interrupted Gallery 159 Brisbane (with Kim Schoenberger)

2013 Cooroora Institue – Currency of Birdsong

2012 Rosebed Gallery – Small Works, Small Town

2005 Sydney College of the Arts Gallery

2004 Tom Bass Sculpture Studio


2020 Gympie Messmate – Ways of Seeing, Gympie Regional

2018/2019 Tree Place Final Exhibition Noosa Regional

2017/2018 Tree Place Community Exhibitions Wan’din’in Art Space

2017 Horizon Festival Global Art Installation “Standing Here” USC Queensland


2020 I am all that I am – Performance/Installation Gympie Gallery

2020 RADF Mentorship, Expanding Practice – Tammy Brennan & Judy Barrass

2019 Considering Practice – Leisa Shelton/Fragment 31


2018 Finalist Waterhouse National Science Art Prize

2018 Short Listed Craft Biennale Scotland

2016 Finalist in The Moreton Bay Art Award, Pine Rivers Art Gallery

2016 Finalist in The Milburn Art Prize, Brisbane Institute of Art

2016 Finalist in The Cambridge Studio Portrait Prize

2015 Finalist in ‘The Churchie’ National Emerging Art Prize


2018/9 Bush Dye Collaboration – Hope Vale Arts Centre (Far North Qld)

2018 Art as Exchange Bunya Mountains – QAGOMA

2018 Shona Wilson – Collaborations with Nature, Sunshine Coast Council

2018 Bee Hive Sculptures Public Art – Tree Place Cross Cultural Collaboration

2017 SevGen – Collaboration with Indigenous Artists in Residence

2017 Bunya Collaboration – Cross Cultural Exploration of Iconic Bunya Tree

2017 RAD Grant – Global Art Installation – Standing Here (Horizon Festival)

2013 Balance Unbalance Conference Noosa – Currency of Birdsong Panel


2020 The Old Lock Up, Maroochydoore, Qld. Response to Place & Belonging.

2020 Maroochy Botanic Gardens, Tanawha, Qld. Unseen- The Herstory of 1770

2017 E. Tereticornis, A Self Directed Residency with an Ancient Tree

2014 June Winter Artist in Residence at the Cooroora Institute, Cooroy, Qld


Earth Arts Collective – (AELA Australian Earth Laws Alliance)

Flying Arts Alliance Inc Qld

NAVA National Association fro the Visual Arts Ltd


2018 Ongoing – School of Shamanic Womancraft

2019/20 Celtic Studies, Myth & Tradition, The Hedge School

2005 Sydney College of Arts, Uni of Sydney – Bach of Visual Art Foundation

2003 Meadowbank TAFE NSW– Certificate in Fine Art Drawing

1996 – 2001 Monash Uni, Bach of Business – Marketing & Retail Management

1994 – 1995 Tea Tree Gully TAFE – Textiles and Apparel


Harris, A 2016. Craft is not a Dirty Word, Textile Fibre Forum, Issue#123

Exhibition Review, Notions of Ordinary, 2016, Textile Fibre Forum, Issue #121

Harris, A 2015. In the Artist’s Studio, The Planthunter , Issue #24 Art,

Harris, A 2015. Notion of an Ordinary Yarn Art Zine, Independent Publication

Harris, A 2015. The Process of Ordinary, Ed7 June

Harris, A 2014. Lovingly Interrupted Art Zine, Independent Publication

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